Tag Archives: Michel Hazanavicius

Hazanavicius Wins DGA, ‘The Help’ Dominates SAG Awards

Over the past few days, the Directors Guild of America (DGA) and the Screen Actors Guild (SAG) have both voiced their opinion on the year in film, yet each organization has added so little to the conversation that they hardly … Continue reading

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PGA Awards ‘Artist,’ ‘Beats,’ ‘Tintin’

The Producers Guild of America (PGA) announced their three winners today and, in the biggest category of them all, The Artist banked another key victory en route to its all-but-sealed Best Picture Oscar. I still think there’s the slimmest chance … Continue reading

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Recapping the Largely Uneventful Golden Globes: A Toned-Down Gervais Still the Highlight

When Ricky Gervais is on auto-pilot mode and he’s still the most watchable element of the Golden Globes, then you know it was a rocky broadcast. (“Rocky” meaning, well, boring.) Alright, maybe he wasn’t the absolute best part. Sidney Poitier’s … Continue reading

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DGA Surprises, Nominates Allen, Fincher

Well, at least Tate Taylor didn’t get in. I’ll take David Fincher — even so-so Fincher, like The Girl with the Dragon Tattoo — over the soap-brand flavoring of The Help any day of the week. That said, there were … Continue reading

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Love for ‘The Artist’ Continues with Indiana Film Journalists Association

Another day, another precursor group, another show of love for The Artist. The film earned Michel Hazanavicius Best Director honors in addition to being named the year’s Best Film by the Indiana Film Journalists Association. (Though props to them for … Continue reading

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‘The Artist,’ ‘Moneyball,’ ‘Tree of Life’ Earn Multiple Citations from NYFCC

As irksome as the New York Film Critics Circle’s desire to shoot the first bullet of this year’s awards season often was — they didn’t even bother to see Stephen Daldry’s Extremely Loud and Incredibly Close prior to the vote … Continue reading

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Movie Review: ‘The Artist’ (2011)

One of the more discussion-piquing results of contemporary cinema’s ever-increasing implementation of technological advancements is the way these innovations can often distort the essential quality of a film. James Cameron’s Avatar is a perfectly applicable and illustrative, if over-referenced, example … Continue reading

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Diving into the Parodic World of ‘OSS 177′

Yesterday morning, on a semi-whim — ever since seeing The Artist, I’d been meaning to dive into the earlier work of the director-star combo of Michel Hazanavicius and Jean Dujardin, and this recent tip-off from Brad Brevet provided the necessary … Continue reading

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Oscar Predictions: ‘J. Edgar’ Opens to Intriguingly Cryptic Response

Like the film or not — and, despite some obviously confused work on the page from Dustin Lance Black, I do — I think it’s hard not to be at least somewhat interested in the mixed response that Clint Eastwood’s … Continue reading

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Oscar Predictions: Post-NYFF Assessment

Having seen a handful of films at this year’s New York Film Festival — including, among others, Steve McQueen’s Shame, Alexander Payne’s The Descendants, and Michel Hazanavicius’ The Artist — I feel that my perspective of this year’s race, in … Continue reading

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